AbateHate.com — It's a matter of time, I suppose, before Western languages are skewered as vestiges of white supremacy. Some seem to believe it is a moral imperative to purge every aspect of our culture.
The University of Oxford, reports say, is scrapping classical music or, at least, pushing it to the background to make room for diversity.
It appears that Beethoven and Mozart are contemporaries of Western colonialism and are, therefore, associated with the slave era making classical Western music complicit to white supremacy. Yep. Beethoven and Braxton Bragg; two peas in a pod right along side Shakespeare, Dr. Seuss, and Mr. Potato Head.
The decision makers at Oxford may be unaware that the "slave era" spans human history and transcends all cultures and civilizations. Slavery is not a Western thing. The word 'slave' itself is a semantic iteration of 'Slav,' a testimony to a time when European Slavs were slaves.
Slavery continued to be a human institution until the colonial era when it was deemed inhumane by Western peoples. In short, white people did not invent slavery. Rather, they ended it — or at least sought to make it a violation of international jurisprudence.
By purging Western civilization of its heritage, social engineers are eviscerating the culture that effectively ended worldwide slavery. They are destroying humanity's foremost anti-racist race for being racist.
Conclusion? If white people are supreme, they are supreme leaders in eradicating racism, not exasperating it.
That raises two vital questions: Who decided that Western civilization is evil? And why?
[h/t Kevin MacDonald on Twitter]
Excerpted from dailymail.co.uk ▼
The University of Oxford is considering scrapping sheet music for being 'too colonial' after staff raised concerns about the 'complicity in white supremacy' in music curriculums [sic].
Professors are set to reform their music courses to move away from the classic repertoire, which includes the likes of Beethoven and Mozart, in the wake of the Black Lives Matter movement.
University staff have argued that the current curriculum focuses on 'white European music from the slave period', according to The Telegraph.
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